Many in the local Ukrainian community want the museum’s name to be changed to reflect the many artworks in its collection by artists from former Soviet states.

In She Who Lives on the Road to War, Rosy Simas combines installation and performance to address the immense losses experienced during the COVID-19 pandemic.

Even for viewers who don’t believe in ghosts, spirits, or alien life, the works in Supernatural America possess their own power.

Stand Up Prints, the latest exhibition at Highpoint Center for Printmaking, showcases striking prints by artists from over 23 states.

In Red Exit, Andrea Carlson’s motifs celebrate the spaces Native people create for themselves.

From dental hygienist to professional artist, Bart knew all along that she couldn’t “just stay put.”

Galanin, a Tlingit-Unangax̂ artist, addresses climate change and its connection to white supremacy, as well as the commodification of indigenous cultures.

Hyperallergic sat down with Edgar Heap of Birds to discuss his current exhibition at MoMA PS1.

Jim Denomie's paintings present an emotional response to the violence of white supremacy that emerged during the DAPL conflict.

In Yes, and the body has memory, a group of women photographers grapples with notions of trauma, family, ancestral connections, and the female body.

"I want to take the stories that children really do want many people to hear, and become almost a vehicle that helps these stories be more accessible," says artist Essma Imady.

Naoya Hatakeyama’s photography reflects the human condition in our current age when we have removed ourselves from nature, secluded ourselves in the concrete trappings of roads, bridges, and buildings, far from mountains and the endless sky.

Sensory pleasure inspires this exhibition design, treating the last imperial dynasty of China as a feast instead of a major art movement.

Fans say Peter Remes attracts artists by illuminating the beauty of historic buildings — but critics call him a gentrifier and accuse him of jacking up the rent in buildings already used by artists.

An exhibition by artist Rachel Breen and poet Alison Morse highlights the deadly working conditions of garment workers, asking viewers to critically examine their consumption of clothing.

Arranged thematically, Adiós Utopia demonstrates ways Cuban artists have responded to their social context, all while revealing a dialogue with art happening around the world.

Nisenbaum portrays her subjects with majesty and importance, upending class and status structures.

With public art pieces, biting political, text-based work, and more intimate abstract paintings, this small exhibition illuminates Heap of Birds’s expansive career.

At the Minnesota Museum of Art, We the People is filled with work that grapples not only with American identity but with an all-out call for revolution.

Though he has both claimed to have and denied having Cherokee heritage, institutions often present Durham as a Native American artist.

The outcry over Sam Durant's sculpture at the Walker Art Center has provoked reflections on past memorials for the US–Dakota War, and how Dakota Nation voices continue to be ignored.

On Friday, Dakota elders led a ceremony that included a blessing for construction workers who then started to take apart Sam Durant's controversial installation "Scaffold."

Sam Durant's outdoor installation "Scaffold" references the US Army's mass execution of 38 Dakota men in Minnesota in 1862.

A member of the Propeller Group discusses using the Minneapolis Institute of Art’s collection as a backdrop for a film about funerary traditions.

Unexpectedly, as I began to watch the public performances of Merce Cunningham's choreography in conjunction with the exhibition, his work started to grow on me.

The 14 flags reflect the fury and despair over Donald Trump’s presidency, but with some glimmers of hope. Here are a few of my favorites.

MINNEAPOLIS — Nostalgia for the Minneapolis music scene of the 1980s has been at somewhat of a fever pitch of late.

MINNEAPOLIS — A kind of dance happens as you walk through Lee Kit’s exhibition at the Walker Art Center, appropriately titled Hold your breath, dance slowly.

MINNEAPOLIS — There are some performers who are so focused, so attentive, so magnetic, that they could just stand on stage, not even moving, and still keep an audience rapt.

MINNEAPOLIS — On my first visit to Emmett Ramstad’s Touching Each Other exhibition at the Minneapolis Institute of Art (Mia), I completely missed the pubic hair.

On March 24, 2011, about a week before renowned artist Ai Weiwei was arrested at the Beijing International Airport, another Chinese artist by the name of Guo Gai was arrested, along with a handful of people, by the Chinese government at the Beijing Museum of Contemporary Art.

Artists are constantly being promised exposure, glory, connections, gratitude, and other intangible benefits in exchange for giving their artwork away for free.

MINNEAPOLIS — Animals populate the prints on view at Sus Voces, a group exhibition at Highpoint Center for Printmaking, featuring nine female Mexican printmakers working in traditional techniques.

MINNEAPOLIS — With just four shapes made out of crude line drawings, Andrea Büttner captures the essence of shame.

MINNEAPOLIS — Italian artist Paolo Ventura summons you into a world that’s both bleak and curious, filled with intrigue, loss, and magic.

MINNEAPOLIS — Curator Cheryl Wilgren Clyne has brought together a satisfying, diverse array of Midwestern artists, with a mix of performative and interactive pieces as well as photography, painting, print, and even a living sculpture.

MINNEAPOLIS — After 30 years, the Guerrilla Girls show no signs of slowing down.

MINNEAPOLIS — Mark Mothersbaugh is so much a part of pop culture that even if you aren’t a fan of his punk band Devo, you’re probably familiar with his music.

Recent criticism of The Plains Indians: Artists of Earth and Sky, which closed recently at the Metropolitan Museum of Art, sheds light on the many issues that arise when mainstream art museums present Native American art.

ST. PAUL, Minnesota — Julie Buffalohead envisions a world filled with tutu-wearing raccoons, sassy rabbits, and other anthropomorphic animals.

DULUTH, Minn. — It was a magnificent sight when it first launched. Floating 20 feet from shore, Sean Connaughty’s “Ark of the Anthropocene” seemed to glow on the dark waves of Lake Superior, drawing on real science, Biblical narrative, and science fiction all at once.