Robert Legorreta, also known as “Cyclona,” discusses the origins of his performance art and ongoing political activism.

The director sat with Hyperallergic for a conversation about the making of his new film The Velvet Underground.

The Italian artist speaks with Hyperallergic about his home city of Turin, the loneliness of his characters, and more.   

Tsai’s style is the opposite of boring; in demanding the viewer’s attention, he allows for incredible moments of human connection and discovery.

Hyperallergic sat down with the Russian feminist icon for a conversation about art, activism, and how they converge in her OnlyFans sex work.

The unabashedly feminine oeuvre of the collagist, sculptor, and conceptual artist is a smorgasbord of shimmer and sequin, a bling manifesto for the senses.

The twilight state between dreaming and waking that permeates a restoration of Maddin's Tales from the Gimli Hospital echoes that of life and death in his films.

Rivera’s art work and professional pursuits are rooted in the racism that wounded him since youth.

With Moonage Daydream, director Brett Morgen sought to let Bowie’s music and philosophy hit in a whole new way, immersing audiences in an IMAX experience.

The second Black woman ever hired as a New York Times staff photographer, Agins built her career at a time when photo editors gave very few assignments to women — much less to women of color.

The curators of Son de Allá y Son de Acá emphasize the importance of creating pathways and fellowship for Mexican-American, Chicanx, and Latinx artists throughout the Southwest.

For years, Eye Filmmuseum’s Jan Bot has turned film fragments into digital experimental shorts. Now, with the project ending, those shorts will be archived via NFT.

Run entirely by volunteers, Interference Archive is a true alternative to the city’s market-driven gallery scene.

Hyperallergic talks to historian Isaac Butler and curator Livia Bloom Ingram about how performance technique evolves and what is and isn’t method acting.

Hyperallergic talks to programmers Róisín Tapponi and Jed Rapfogel about their Anthology Film Archives retrospective and formative erotic film experiences.

The acclaimed composer and noise artist talks to Hyperallergic about his Pulitzer Prize-winning composition “Voiceless Mass.”

Despite the fact that Lees works on paintings for as long as 30 years, they don’t appear overly precious. Instead, they seem human and vulnerable.

We spoke with three public school art teachers from the Movement of Rank-and-File Educators (MORE) on their efforts to reform New York's largest teachers' union.

Her short film Freshwater is now playing at the Museum of Contemporary Art Detroit.

We spoke with workers at the International Documentary Association about their successful fight for a union.

Film programmer Inney Prakash talks to Hyperallergic about what it takes to start a new film festival solo during a pandemic.

Hyperallergic talks to director Sierra Pettengill about her documentary Riotsville, USA, which finds the roots of modern policing techniques in the 1960s

The founders of Museum Crisis Center discuss what they are doing to help museum staff and save Ukraine's cultural heritage.

Charlie Shackleton talks to Hyperallergic about his performance piece As Mine Exactly and the challenges of virtual reality filmmaking.

Director Christine Turner explains to Hyperallergic how her documentary short interrogates the white gaze and seeks to reaffirm some ugly truths about the past.

In the wake of the film’s nomination for the Best Documentary Feature Oscar, Stanley Nelson and Traci Curry speak to Hyperallergic about the uprising’s ongoing relevance.

The collective wisdom that she acquired through the diasporic Black American experience of womanhood allowed her to recall her value and humanity, which she poured into her art.

The filmmaker talks to Hyperallergic about the second season of his HBO show How To with John Wilson and going down every rabbit hole he can find.

Afghan refugee Amin didn’t feel comfortable telling director Jonas Poher Rasmussen his story without a way to conceal his identity. Rasmussen explains the process to Hyperallergic.

A conversation with Richard Kraft about his artist book in which he created penalty flags for nearly 10,000 of Trump’s misdeeds.

Hyperallergic speaks to Maya Cade, creator of the Black Film Archive, about showcasing an “abundance of Blackness across time.”

“I think addiction is a part of life. We get addicted to things in ways that each have pros and cons.”

Hyperallergic speaks to director Robert Greene and three survivors of sexual abuse by Catholic priests about their new film Procession.

Hyperallergic speaks to organizers behind Queer Cinema for Palestine, a global alternative event to the Israeli-government-supported Tel Aviv International LGBT Film Festival.

Jane Schoenbrun talks to Hyperallergic about We’re All Going to the World’s Fair and making the internet cinematic.

“I am trying to keep the immediacy of my emotional experience while I’m painting.”

Filmmakers Betsy West and Julie Cohen talk to Hyperallergic about Murray’s archives and holding themselves accountable as white women biographing a Black figure.

Saar's irreverent paintings of dolls from her collection celebrate the catharsis she found in play.

Ebs Burnough’s documentary The Capote Tapes uses hundreds of hours of newly discovered interviews about the infamous author to take a deeper look at his life.

The filmmaker tells Hyperallergic how she spent over four years within Chicago’s movement for Black lives making the documentary Unapologetic.

“If a painting doesn’t have the right seasoning, it has to wait.”

“You don’t need corporate validation or Hollywood validation to do something,” the pioneering No Wave filmmaker explains.

Hyperallergic talks to the curator, writer, and former museum director about her new book Culture Strike: Art and Museums in an Age of Protest.

The filmmaker talks to Hyperallergic about his documentary All Light, Everywhere and incorporating theory into his practice.

Harmony Holiday wants to show “the Baldwin who was baffled and befuddled and wounded and perfectly real.”

Hyperallergic interviews Jia about Swimming Out Till the Sea Turns Blue and finding people to testify about their experiences in rural villages over the past seven decades.

“We live in constant fear of censorship. No artist should have that fear,” says 21-year-old artist Malak Mattar.

“There’s a lot here to unpack if you’re willing to do the work,” says Roberts.

The Lambda Literary Award Finalist and Cyberfeminism Index designer discuss the need to “troll these progress stories that we tell about computers.”

“We want to look at a community level that’s rarely taken seriously in academia or in the art world.”